vrijdag 29 juni 2012

Rogue Lighting Kits

Rogue Starter Lighting Kit

Introducing New Lighting Kits

Do you want better lighting options when shooting on location with speed lights?  Do you need to break out of your lighting rut?  Or maybe you just want to get more creative?


Image Copyright Kevin Kubota
From small portable soft boxes and adaptable bounce flash reflectors, to honeycomb grids and colorful gels, Rogue light modifiers for speed lights give you studio style light control. 

Our Rogue gear is travel friendly, packs flat and will easily slip into just about any laptop case or camera bag.

Whether you’re just getting started, shoot the occasional wedding, or are a bona fide heavy weight speed light shooter, Rogue has three new lighting kits to suit your needs.

Save Over 10% on Starter Kits, Portrait Kits and Master Lighting Kits.

Learn more about Rogue light modifiers, including FlashBenders, Rogue Grid and Rogue Gels



The Rogue Portrait Lighting Kit contains:

1 Rogue Large FlashBender Reflector
1 Rogue Large Diffusion Panel
1 Rogue Bounce Card / Flag
1 Rogue Universal Gel Kit
1 Rogue 3-in-1 Honeycomb Grid
Rogue Portrait Lighting Kit


maandag 25 juni 2012

Profoto brings light shaping to video


Profoto Continuous Light




What is Profoto Continuous Lights?It is a new range of continuous light sources, designed specifically to work with Profoto’s wide assortment of Light Shaping Tools. The core of the range comprises ProDaylight (HMI) and ProTungsten. These units are powerful enough to be used for both video and still photography.

Why light shaping for video?
Modern DSLR cameras can be used to shoot high-resolution videos as well as still photographs. Since more and more photographers are required to do both, it is a natural step for us to introduce our concept of light shaping into the world of video.
If you are already familiar with Profoto, you will feel right at home. If you are new to Profoto, you will love the creative possibilities that our Light Shaping Tools offer. Experience the gentle push of the Softlight Reflector, explore the soft shadows and the distinct highlights of the Profoto Giants, or play with the smooth yet powerful light of the Magnum Reflector. You are only limited by your imagination.

Are all Profoto Light Shaping Tools compatible with Profoto Continuous lights?
Yes, most of them are. This means that you can now use your favourite tools in a brand new way. However, some of them are not compatible due to heat restraints. For guidance, download the Light Shaping Tools for Continuous Light chart here.

Are all Profoto Light Shaping Tools compatible with Profoto Continuous lights?
Yes, most of them are. This means that you can now use your favourite tools in a brand new way. However, some of them are not compatible due to heat restraints. For guidance, download the Light Shaping Tools for Continuous Light chart here.


VIDEOS
Profoto Continuous Light
VIDEO: Sébastien Devaud: Out of Tunes

donderdag 21 juni 2012

Mola + Profoto HMI shoot with Lauren Vickers


Mola + Profoto HMI shoot with Lauren Vickers from JONATHAN DEAR PHOTOGRAPHER on Vimeo.


A quick self-edit of some bts footage of a shoot I did with Aussie model Lauren Vickers. Shot using a white mola 22" demi beauty dish with PAD deflector, lit by the new Profoto ProDaylight 800w AIR HMI system. (continuous HMI lighting)


©  

maandag 18 juni 2012

Show Your Image at Photokina 2012



PK12 Keyvisual a4q 2 Show Your Image at Photokina 2012
Photokina 2012
Yes, Photokina is still the world’s largest trade fair for the photographic industry. There is no other place where so many industry professionals gather at once, and it goes without saying that it is a golden opportunity to showcase your work. Would you like to do so?
Here is the thing. Profoto will of course have its own booth, and there will be a number of screens in it, showing a selection of amazing images that was created with the help of our gear. We already have plenty of images, but it would be nice to also give our blog readers a chance to show what they can do. All images will of course have the photographers name and the website right next to it.
What do you say? Are you up for the challenge? Then send us an email containing the following:
  • An image shot with only Profoto lighting.
  • A lighting diagram for this image.
  • A list of the products used.
Send the email to images[a]profoto.com
Good luck!

Zack Arias light modifier " Run Down"


This was hard work with a great result, so take a look at the article...



• Take a look at how the modifier effects the exposure on the subject and the background. • Watch the transition from highlight to shadow. How hard is that line? • Take a look at the catchlights in the eyes. • How effecient is the modifier in terms of lost light from the standard? • Look at the difference in the quality of light when some of them are moved closer than the standard shooting point. • Moving the light closer to the subject changes exposure so I didn’t list the change in aperture for those images since they deviated from standard position.

I’ve highlighted a few areas here to watch in the photos below… Look at this crop between the 7′ and 4′ Octabanks…

© 2012 Photography By Zack Arias • ATL • 404-939-2263 • studio@zackarias.com. All rights reserved.

Update: Mola Sollo



A few people have been asking about further information on the new Mola 28″ Sollo. Here is a photo of the new reflector. Here is is pictured with the OPAL glass central deflector which also has the stabiliser rings to hold it securely. These both ship with the Sollo. Like the other larger Molas (28″ and above) it has an integrated handle to secure onto your stand of choice.
We do have stock at Mola Inc, distributors should start to list this item shortly. 

dinsdag 12 juni 2012

René Kramers Comes Prepared


It is interesting how different answers you get when you ask photographers what it is that they like about photography. The art, the technique, the technology, the documentation, the interaction with people – there seem to be as many answers as there are photographers out there.
“I love to solve problems,” answers Dutch photographer René Kramers. “When a client or an ad agency comes to you with an idea, it’s up to you to turn that idea into a result. The challenge is of course to figure out how to do that. So in a sense, photographers are like problem solvers. And that is something that I really, really appreciate.
“This is connected to the fact that I enjoy working with people. Together you are almost like a football team. You find the right people for the right position, you have a common goal, and when the atmosphere is right and everybody is enjoying themselves, you might just be able to create something mind blowing.”

What would you say is the most important thing that you have learned during your 20 years as a photographer?
“What’s the word in English? Self-esteem? Or perhaps confidence is most accurate? As a photographer, you’re like the team leader on the set. You must believe in yourself and stand up for the ideas in your head. You also need to be able to express those ideas to the people you work with. You need to convince them. Otherwise you’re just not working towards the same goal.”

And what would you say is the most important thing that you’ve learned about lighting?
“That light is crucial when it comes to creating that feeling and atmosphere that you want to express. It’s also important to remember that the light becomes a part of your composition. Let’s say you’re shooting a dark, intense sky. A sky like that will of course seriously affect the balance and composition. But for some reason, you tend to forget that.”


What products do you mainly use?
“I love the Pro-7b because of its speed and simplicity. But I hate travelling with equipment, so I always rent it when I’m going somewhere. That’s one of the main reasons why I always go with Profoto; no matter where I go, South Africa or America or Spain, they always have it.


Speaking of South Africa; these images were shot there, right?
“Yes, they were done there as part of an ad campaign for Johnny Loco bicycles. You know, I had a lot of fun shooting those images. Planning the shoot, scouting the area, going out there like four in the morning to set up the lights, and then just waiting for the sun to rise – it was pretty amazing. It’s also a nice example of how important pre production is. We spent a lot of time prepping that shot. Hence, the actual shooting was actually pretty easy.”

So the sun is the main light?
“Yes, it is. I then used the Pro-7b and the Giant Silver 150 for fill.

You make it sound so easy.
“It wasn’t easy. But we did come prepared.”
See more of René’s images at his website.