- 18 Color Correction Flash Gels (3 each of 6 different gels)
- Individually Labeled
- Includes 3 Rogue Gel-Bands to color correct multiple speedlights
- Includes Storage Pouch with Quick Reference Guide
Rogue Plus Green Gel on speedlight. Shot under fluorescent light with a speedlight. Camera set to fluorescent preset to balance the ambient light. Copyright © 2012, David Guy Maynard Comparision Shots Below |
Color correction gels are used to improve overall color balance in an image by adjusting the color temperature of the flash to better match other ambient light sources.
To balance your flash to the dominant ambient light source in your scene:
* Use CTO gels to color balance flash to tungsten or halogen ambient light
* Use CTB gels to color balance flash to shade or blue sky ambient light
* Use Plus Green gels to color balance flash to fluorescent ambient light
Once the ambient light source is identified, and the appropriate color correction gel is selected, simply attach the gel to your flash. Set the camera to the same white balance setting as shown on the attached color correction gel or set a custom white balance.
Flash pictures taken using an appropriate color correction gel and corresponding camera white balance setting will show improved color consistency and color balance.
How are Rogue Gels labeled?
We print directly onto the gels to ensure you always know what gel you are using. Rogue Gels are individually labeled with the LEE Filter name of each gel and the gel’s measured f/stop loss value. The Color Correction filters are also labeled with the Kelvin color temperature correction and camera white balance icon.
Rogue Color Correction Flash Gels: Universal Lighting Filter Kit .
Rogue Color Correction Universal Flash Gels come in a kit that includes 3 Rogue Gel-Bands, 18 color correction gels (3 each of 6 different gels), and a durable padded storage pouch with quick reference insert to help you keep your gels safe and organized. The complete list of gels included in the kit can be found below.
Rogue Gels are made from the world’s highest quality materials from LEE Filters UK, the world’s leading manufacturer
of lighting filter products.
What flash brands will the Rogue Universal Gels fit?
With a coverage area of 3” x 2.5” (76mm x 63mm) Rogue Color Correction Universal Gels are large enough to cover even the largest flash heads, and they can be creased or trimmed for smaller flash heads as desired. These flash gels' innovative tabbed design allows them to be quickly attached to a wide range of shoe mount flash brands, including: Canon, Konica, Metz, Minolta, Nikon, Nissin, Olympus, Panasonic, Pentax, Quantum, Sigma, Sony and Vivitar.
How do Universal Gels attach?
You do not need to buy expensive or bulky holders, or use annoyingly sticky hook-and-loop to attach Rogue Gels to your flash. Included with each Rogue Gel Universal Kit is the Rogue Gel-Band. To attach, simply slip the tabbed ends of the Universal Gel under the Gel-Band to secure it to the flash. The Color Correction Kit includes 3 Rogue Gel-Bands allowing photographers to color balance multiple speedlights.
1. Attach Gel-Band to Flash Pull the gel-band around your flash head. | 2. Insert First Tab Pull one tab of the Rogue Gel through the band on the side of the flash head. | 3. Insert Second Tab Pull the other tab through the band on the opposite side of the flash head. | |
Rogue Color Correction Gel Kits contain the following selection of LEE Filter colors:
Correction Filters: |
3x - 1/2 CTB (3200K to 4300K) |
3x - Full CTO (6500K to 3200K) |
3x - 1/2 CTO (6500K to 3800K) |
3x - 1/4 CTO (6500K to 4600K) |
3x - Plus Green (cc30 Green) |
3x - Full White Diffusion (1 Stop) |
Rogue Plus Green Gel on speedlight. Shot under fluorescent light with a speedlight. Camera set to fluorescent preset to balance the ambient light. Copyright © 2012, David Guy Maynard | No Gel on Flash. Shot under fluorescent light with a speedlight. Camera set to AWB setting. Copyright © 2012 David Guy Maynard | No Gel on Flash. Shot under fluorescent light with a speedlight. Camera set to fluorescent preset. Copyright © 2012 David Guy Maynard |
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